"Concert XLVIII: Le raporté - le raporté" by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken was released on October 1, 2011. The duration of Concert XLVIII: Le raporté - le raporté is about 3 minutes long, at 3:17. Based on our data, "Concert XLVIII: Le raporté - le raporté" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "Sainte Colombe: Concerts à deux violes esgales". In this album, this song's track order is #6. Concert XLVIII: Le raporté - le raporté is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert XLVIII: Le raporté - le raporté by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Io son ferito ahi lasso | Giovanni Pierluigi da Palestrina, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | G Minor | 0 | 6A | 134 BPM | ||
Prelude in C Minor, BWV 999 | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
Concerts a deux violes esgales, Concert V, "Le badin": Ballet preste | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 96 BPM | ||
Scarlatti, D: Keyboard Sonata in A Major, Kk. 208 | Domenico Scarlatti, Jean Rondeau | A♭ Major | 2 | 4B | 101 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerts a deux violes esgales, Concerto LII, "L'estourdy": (Ouverture) [dans la Table : Ballet] | Monsieur de Sainte-Colombe, Les Voix Humaines | B♭ Minor | 1 | 3A | 77 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM |
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