Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet's 'Messe a 8 voix et 8 violons et flutes, H. 3: Confiteor unum Baptisma' came out on January 1, 2006. The duration of Messe a 8 voix et 8 violons et flutes, H. 3: Confiteor unum Baptisma is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Messe a 8 voix et 8 violons et flutes, H. 3: Confiteor unum Baptisma's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 40 in Charpentier, M.-A.: Messe A 8 Voix Et 8 Violons Et Flutes / Te Deum A 8 Voix Avec Flutes Et Violons by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Messe a 8 voix et 8 violons et flutes, H. 3: Confiteor unum Baptisma is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe a 8 voix et 8 violons et flutes, H. 3: Confiteor unum Baptisma by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Strozzi: Cantate, ariette e duetti, Op. 2: L'amante consolato | Barbara Strozzi, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Concerto in D Major, Op. 6 No. 6: I. Largo | Charles Avison, Café Zimmermann | D♭ Major | 1 | 3B | 108 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |
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