George Frideric Handel, Martin Stadtfeld made "Suite in E Major: VIII. Variation 5 (from Suite in E Major, HWV 430)" available on November 8, 2019. With Suite in E Major: VIII. Variation 5 (from Suite in E Major, HWV 430) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Martin Stadtfeld's "Handel Variations" album is number 12 out of 26. Based on our statistics, Suite in E Major: VIII. Variation 5 (from Suite in E Major, HWV 430)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite in E Major: VIII. Variation 5 (from Suite in E Major, HWV 430) by George Frideric Handel, Martin Stadtfeld to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Keyboard Sonata in D Major, Wq. 54/5, H. 185: III. Poco allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 1 | 10B | 101 BPM | ||
Intimate Sketches: No. 9, Rondo | Leoš Janáček, Olena Kushpler | D Major | 0 | 10B | 132 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Sonatine Bureaucratique, IES 69: II. Andante | Erik Satie, Denis Pascal | D Major | 0 | 10B | 183 BPM | ||
Deuxieme livre, Suite en Ré: IV. 2e double | Jean-Philippe Rameau, Alexander Paley | G Minor | 2 | 6A | 99 BPM | ||
Suite en ré: la Boiteuse | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM | ||
Samson HWV57: Let the bright Seraphim | George Frideric Handel, John Milton, Newburgh Hamilton, Alison Balsom, English National Opera Orchestra | D Major | 1 | 10B | 110 BPM | ||
Prelude and Fugue in B-Flat Minor, BWV 867 | Johann Sebastian Bach, Martin Stadtfeld | B♭ Minor | 0 | 3A | 67 BPM |
Section: 0.6996536254882812
End: 0.703676700592041