Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works
Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth
Wie Google tickt - How Google Works
2:30 January 8, 2015
BPM
77
Key
D♭ Major
Camelot
3B

Embed

Share Link

Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works - Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth Information

Acousticness
52%
Danceability
71%
Energy
31%
Instrumentalness
0%
Liveness
18%
Loudness
67%
Speechiness
96%
Valence
52%
Popularity
Loudness
-19.745 dB

Summary

Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #70 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works BPM

Since Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem, Op. 48: 7. In paradisum by Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric SchmidtRequiem, Op. 48: 7. In paradisumGabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric SchmidtA♭ Major104B154 BPM
HFTEPX by KNOXVILLETRACKZHFTEPXKNOXVILLETRACKZD Minor07A65 BPM
Stabat Mater, Op. 58, B. 71: IV. Fac, ut ardeat cor meum. Largo by Antonín Dvořák, Peter Mikuláš, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav BrychStabat Mater, Op. 58, B. 71: IV. Fac, ut ardeat cor meum. LargoAntonín Dvořák, Peter Mikuláš, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav BrychB♭ Minor03A75 BPM
Seven Last Words - Introduction - Theodore Dubois by Theodore Dubois, ExultateSeven Last Words - Introduction - Theodore DuboisTheodore Dubois, ExultateD Major410B85 BPM
Romanzen, Book 1, Op. 69: No. 5. Meerfey by Robert Schumann, Aquarius, Marc Michael de SmetRomanzen, Book 1, Op. 69: No. 5. MeerfeyRobert Schumann, Aquarius, Marc Michael de SmetG Minor06A75 BPM
Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei by Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, Marietta SimpsonGloria in D Major, RV 589: VIII. Domine Deus, Agnus DeiAntonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, Marietta SimpsonA Major111B123 BPM
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït by Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinRequiem in D Minor, K. 626 (Paris 1804 Version): I. IntroïtNiccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinE Minor09A88 BPM
Misatango, Misa a Buenos Aires: VII. Et incarnatus est by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: VII. Et incarnatus estMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraF Minor24A86 BPM
Requiem: Pie Jesu by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin DahlbergRequiem: Pie JesuMatthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin DahlbergG Major39B156 BPM
Sechs deutsche Lieder, Opus 37: Nr. 6 Lied beim Rundetanz (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine BrinkmannSechs deutsche Lieder, Opus 37: Nr. 6 Lied beim Rundetanz (Arr. für Stimme und Gitarre von Boris Tesic)Louis Spohr, Duo Sjelle, Boris Tesic, Christine BrinkmannD Major210B82 BPM
ISRC
DEXR11845099
Label
L-M Records/RCA Records

Section: 0.7632336616516113

End: 0.7674863338470459