Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #70 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | A♭ Major | 10 | 4B | 154 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Stabat Mater, Op. 58, B. 71: IV. Fac, ut ardeat cor meum. Largo | Antonín Dvořák, Peter Mikuláš, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | B♭ Minor | 0 | 3A | 75 BPM | ||
Seven Last Words - Introduction - Theodore Dubois | Theodore Dubois, Exultate | D Major | 4 | 10B | 85 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, Marietta Simpson | A Major | 1 | 11B | 123 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Sechs deutsche Lieder, Opus 37: Nr. 6 Lied beim Rundetanz (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | D Major | 2 | 10B | 82 BPM |
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