"String Quartet No. 1: I. Cantilena" by Heitor Villa-Lobos, Cuarteto Latinoamericano was released on January 1, 1995. The duration of String Quartet No. 1: I. Cantilena is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. String Quartet No. 1: I. Cantilena's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villa-Lobos, H.: String Quartets, Vol. 1 - Nos. 1, 6, 17 by Heitor Villa-Lobos, Cuarteto Latinoamericano. The song's track number on the album is #5 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, String Quartet No. 1: I. Cantilena is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since String Quartet No. 1: I. Cantilena by Heitor Villa-Lobos, Cuarteto Latinoamericano has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With String Quartet No. 1: I. Cantilena being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bachianas brasileiras No. 2, "O trenzinho do Caipira": IV. Toccata: O trenzinho do Caipira (The Peasant’s Little Train) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Major | 1 | 8B | 97 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Il neige | Henrique Oswald, Braz Velloso | E♭ Minor | 1 | 2A | 71 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Etude de concert: Au matin. Allegro | Marcel Tournier, Chantal Mathieu | F Major | 0 | 7B | 81 BPM | ||
Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | ||
Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 17 in D Major | Fernando Sor, Timo Korhonen | D Major | 0 | 10B | 79 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM |
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