Hermann Prey's 'Reich Mir Die Hand,Mein Leben' came out on 2003. The duration of Reich Mir Die Hand,Mein Leben is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Reich Mir Die Hand,Mein Leben's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Great Moments Of Hermann Prey" album is number 4 out of 68. In terms of popularity, Reich Mir Die Hand,Mein Leben is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Reich Mir Die Hand,Mein Leben by Hermann Prey to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Ludwig van Beethoven, Sir Simon Rattle, Angela Denoke, Juliane Banse, Rainer Trost, László Polgár, Berliner Philharmoniker | G Major | 1 | 9B | 78 BPM | ||
Turandot / Act 1: "Signore, ascolta" | Giacomo Puccini, Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 0 | 2B | 74 BPM | ||
Liederkreis, Op.39: Schöne Fremde | Robert Schumann, Hermann Prey, Karl Engel | E Major | 0 | 12B | 0 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 176 BPM | ||
Rossini: Il Barbiere di Siviglia, Act 1: "Una voce poco fà" (Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri, John Constable | F Major | 2 | 7B | 133 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, "Avant de quitter ces lieux" (Valentin) [Sung in German, "Da ich nun verlassen soll"] | Charles Gounod, Hermann Prey, Berliner Symphoniker, Wilhelm Schüchter | B Major | 1 | 1B | 85 BPM | ||
Zar und Zimmermann: Act III: Sonst spielt ich mit Zepter und Krone (Zar) | Albert Lortzing, Hermann Prey, Bratislava Philharmonic Orchestra, Kurt Wöss | E♭ Major | 1 | 5B | 134 BPM | ||
Johannes-Passion, BWV 245: No. 28, Er nahm alles wohl in acht - No. 29, Und von Stund an nahm sie der Jünger | Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Hermann Prey, Karl Richter | E Minor | 1 | 9A | 54 BPM |
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