"Carmen (Sung in Italian): Act I: Presso il bastion di Siviglia (Carmen, Don Jose)" by Georges Bizet, Belén Amparan, Elda Ribetti, Rena Gary Falachi, Miti Truccato Pace, Franco Corelli, Anselmo Colzani, Antonio Sacchetti, Vittorio Pandano, Antonio Cassinelli, Coro di Milano della RAI, RAI Symphony Orchestra, Milan, Nino Sanzogno was released on September 1, 2015. With this song being about 5 minutes long, at 4:35, "Carmen (Sung in Italian): Act I: Presso il bastion di Siviglia (Carmen, Don Jose)" by Georges Bizet, Belén Amparan, Elda Ribetti, Rena Gary Falachi, Miti Truccato Pace, Franco Corelli, Anselmo Colzani, Antonio Sacchetti, Vittorio Pandano, Antonio Cassinelli, Coro di Milano della RAI, RAI Symphony Orchestra, Milan, Nino Sanzogno is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Carmen (Sung in Italian): Act I: Presso il bastion di Siviglia (Carmen, Don Jose)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen (Sung in Italian): Act I: Presso il bastion di Siviglia (Carmen, Don Jose) by Georges Bizet, Belén Amparan, Elda Ribetti, Rena Gary Falachi, Miti Truccato Pace, Franco Corelli, Anselmo Colzani, Antonio Sacchetti, Vittorio Pandano, Antonio Cassinelli, Coro di Milano della RAI, RAI Symphony Orchestra, Milan, Nino Sanzogno having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act I, No.2 : Scène et Choeur: Regardez donc cette petite qui semble vouloir nous parler (Moralès/Micaëla/Dragons) | Georges Bizet, Ludovic Tézier/Inva Mula/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 89 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Le docteur Miracle: Scene 12: Quatuor final: Mon enfant, si tu m'aimes bien (Le Podestat, Veronique, Laurette, Silvio) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 1 | 7B | 83 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |
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