Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra's 'The Magic Flute: Overture' came out on March 1, 2005. The Magic Flute: Overture is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Elizabeth Vidal, Rebecca Evans, Simon Keenlyside, John Tomlinson, Leslie Garrett's "Mozart: The Magic Flute" album is number 1 out of 42. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Magic Flute: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Magic Flute: Overture by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: IV. Finale: Spiriuoso | Slovak Philharmonic, Alfred Scholz | D Major | 2 | 10B | 138 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Symphony No. 1 in G Minor, Op. 13 "Winter Daydreams": I. Reveries of a Winter Journey. Allegro tranquillo | Pyotr Ilyich Tchaikovsky, Vladimir Jurowski, London Philharmonic Orchestra | D Major | 2 | 10B | 135 BPM | ||
Smetana: The Bartered Bride: Overture | Bedřich Smetana, Rudolf Kempe, Royal Philharmonic Orchestra | F Major | 2 | 7B | 124 BPM | ||
Hary Janos Suite: Háry János Suite: II. Viennese Musical Clock | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | B♭ Major | 1 | 6B | 121 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 10, Samuel Goldenberg und Schmuyle - Promenade V | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Symphony No. 101 in D Major, Hob. I: 101 "The Clock": II. Andante | Joseph Haydn, Fritz Reiner | G Minor | 1 | 6A | 75 BPM | ||
Thaïs: Méditation | London Philharmonic Orchestra, Pieter Schoeman | D Major | 2 | 10B | 124 BPM |
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