Orfeo ed Euridice: Act II Scene 1: Ballo - Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen Information

"Orfeo ed Euridice: Act II Scene 1: Ballo" by Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen was released on March 3, 2010. With Orfeo ed Euridice: Act II Scene 1: Ballo being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, Hartmut Haenchen's "Gluck, G.W.: Orfeo ed Euridice" album is number 15 out of 51. On top of that, United States appears to be the country where this track was created. Orfeo ed Euridice: Act II Scene 1: Ballo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice: Act II Scene 1: Ballo BPM

We consider the tempo marking of Orfeo ed Euridice: Act II Scene 1: Ballo by Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Orfeo ed Euridice: Act II Scene 1: Ballo Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.