The Scholars Baroque Ensemble, John Dryden, Henry Purcell made "The Indian Queen, Z. 630: Second Music - First Aire" available on January 1, 1998. With The Indian Queen, Z. 630: Second Music - First Aire being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Purcell: The Indian Queen". In this album, this song's track order is #3. Based on our statistics, The Indian Queen, Z. 630: Second Music - First Aire's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Indian Queen, Z. 630: Second Music - First Aire by The Scholars Baroque Ensemble, John Dryden, Henry Purcell having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Dido and Aeneas, Z. 626: Act II: Spirit, Aeneas: Stay, Prince! and hear great Jove's command | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Major | 1 | 1B | 88 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | B Minor | 1 | 10A | 84 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
The Indian Queen, Z. 630: First Music - Second Aire | The Scholars Baroque Ensemble, Henry Purcell, John Dryden | E Major | 0 | 12B | 66 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Pergolesi: Confitebor: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D♭ Minor | 2 | 12A | 114 BPM | ||
Morning Service in D Major, Z. 232: Jubilate Deo | Henry Purcell, Jeni Bern, Susan Bisatt, William Purefoy, Christopher Robson, Ian Honeyman, Thomas Guthrie, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton | D♭ Major | 1 | 3B | 67 BPM |
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