Patrick Page, Amber Gray, André De Shields, Eva Noblezada, Reeve Carney, Hadestown Original Broadway Company, Anaïs Mitchell's ' "Papers ("You're not from around here, son...") [Intro]" was released on its scheduled release date, July 26, 2019. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Original Broadway Cast of Hadestown, Anaïs Mitchell's "Hadestown (Original Broadway Cast Recording)" album is number 25 out of 40. The popularity of Papers ("You're not from around here, son...") [Intro] is currently average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Papers ("You're not from around here, son...") [Intro] by Patrick Page, Amber Gray, André De Shields, Eva Noblezada, Reeve Carney, Hadestown Original Broadway Company, Anaïs Mitchell to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
How Can I Call This Home? | Ben Platt, Parade Cast | G Minor | 5 | 6A | 89 BPM | ||
How Could I Ever Forget? | J. Robert Spencer, Alice Ripley | F♯ Major | 1 | 2B | 156 BPM | ||
All I've Ever Known | Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company | D♭ Major | 3 | 3B | 120 BPM | ||
Wedding Chorale / Beggars At The Feast | Jennifer Butt, Leo Burmester | E Major | 2 | 12B | 80 BPM | ||
Waiting | Carolee Carmello, Ancestors | B♭ Major | 5 | 6B | 91 BPM | ||
Better Than Before | Aaron Tveit | C Major | 2 | 8B | 92 BPM | ||
Heartbreaker | Paul Alexander Nolan | B♭ Major | 3 | 6B | 92 BPM | ||
Moscow | Grace McLean, Denée Benton, Brittain Ashford | A♭ Major | 3 | 4B | 187 BPM | ||
Tomorrow Belongs to Me | Alex Bowen, Alan Cumming | G Major | 1 | 9B | 84 BPM | ||
Papers - Instrumental | Hadestown Original Broadway Band, Hadestown Original Broadway Company, Anaïs Mitchell | C Minor | 7 | 5A | 87 BPM |