Hadestown Original Broadway Band, Hadestown Original Broadway Company, Anaïs Mitchell made "Papers - Instrumental" available on June 28, 2019. With Papers - Instrumental being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Papers (Instrumental) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Papers - Instrumental is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Papers - Instrumental by Hadestown Original Broadway Band, Hadestown Original Broadway Company, Anaïs Mitchell having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Livin' it Up on Top | Amber Gray, André De Shields, Reeve Carney, Hadestown Original Broadway Company, Anaïs Mitchell | C Major | 7 | 8B | 105 BPM | ||
All I've Ever Known - Radio Edit | Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company | D♭ Major | 3 | 3B | 120 BPM | ||
The Park | Katrina Lenk, Tony Shalhoub | G Major | 0 | 9B | 68 BPM | ||
Charming | Amber Gray | D Minor | 4 | 7A | 100 BPM | ||
Wedding Song | Reeve Carney, Eva Noblezada, Afra Hines, Timothy Hughes, John Krause, Kimberly Marable, Ahmad Simmons, Hadestown Original Broadway Company, Anaïs Mitchell | G Major | 6 | 9B | 92 BPM | ||
Why We Build the Wall ("Behind closed doors...") [Outro] | André De Shields, Hadestown Original Broadway Company, Anaïs Mitchell | D Minor | 3 | 7A | 85 BPM | ||
All I've Ever Known | Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company | D♭ Major | 3 | 3B | 120 BPM | ||
A Rumblin’ and a Rollin’ | Douglas Lyons, Courtnee Carter, Eddie Cooper, Danielle Lee Greaves | D♭ Major | 5 | 3B | 104 BPM | ||
The Wheel | Sarah Charles Lewis, Tuck Everlasting Original Broadway Cast Ensemble | E♭ Major | 2 | 5B | 105 BPM | ||
Out There On The Road | Norbert Leo Butz, Ryan Andes, Kirsten Scott, Big Fish Original Broadway Cast | C Major | 5 | 8B | 111 BPM |
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