On September 23, 1994, the song "Prelude In C With Ave Maria From The Well-Tempered Clavier" was released by Johann Sebastian Bach, Charles Gounod, Gayle Levant, Tommy Morgan. The duration of Prelude In C With Ave Maria From The Well-Tempered Clavier is about 3 minutes long, at 3:21. Based on our data, "Prelude In C With Ave Maria From The Well-Tempered Clavier" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Bach Variations". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Prelude In C With Ave Maria From The Well-Tempered Clavier's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Prelude In C With Ave Maria From The Well-Tempered Clavier by Johann Sebastian Bach, Charles Gounod, Gayle Levant, Tommy Morgan having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) | Anonymous, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins | E Minor | 1 | 9A | 99 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Fields of Gold | Kevin Kern | A Major | 1 | 11B | 178 BPM | ||
Vivaldi | Carol Nethen | G Minor | 3 | 6A | 124 BPM | ||
Largo from Concerto in D major for Lute, 2 Violins and Continuo | Tim Story | A Major | 2 | 11B | 80 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
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