Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Alexander Kravets's 'Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero)' came out on 1994. Since Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #7 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. In terms of popularity, Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Alexander Kravets has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Francesca da Rimini, Op. 4, Act II, Scene 3: Ecco l'elmetto ch'io vi dono (Paolo, Francesca, Il Torregiano, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Cheyne Davidson, Kammerchor Sofia | D Minor | 1 | 7A | 80 BPM | ||
Las Golondrinas: "Final, Se marcha" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Francesca da Rimini, Op. 4, Act I: Come Morgana manda al re Artù | Riccardo Zandonai, Alejandro Lárraga Schleske, Benedicte Tauran, Levente Molnár, Marija Jokovic, Kim-Lillian Strebel, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Major | 2 | 9B | 67 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Giulietta e Romeo / Act 3: Giulietta! Son io! | Riccardo Zandonai, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | F Major | 1 | 7B | 86 BPM | ||
Lohengrin, WWV 75 / Act I: Des Ritters will ich wahren | Richard Wagner, Cheryl Studer, Kurt Moll, Andreas Schmidt, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Major | 5 | 11B | 137 BPM | ||
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | ||
Francesca da Rimini / Act 3: "Paolo, datemi pace!" | Riccardo Zandonai, Mirella Freni, Orchestra Del Gran Teatro La Fenice, Roberto Abbado | D♭ Major | 1 | 3B | 86 BPM | ||
Messa di Gloria: XVIII. Agnus Dei | Giacomo Puccini, Charles Castronovo, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | C Major | 1 | 8B | 140 BPM |
Section: 0.8002834320068359
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