Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Alexander Kravets's 'Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero)' came out on 1994. Since Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #7 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. In terms of popularity, Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Alexander Kravets has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Francesca da Rimini: Act IV Scene 1: Perche tanto sei strano? (Francesca, Malatestino) | Riccardo Zandonai, Magda Olivero, Orchestra La Scala di Milano, Piero de Palma, Gianandrea Gavazzeni | F Major | 1 | 7B | 136 BPM | ||
Le Villi, SC 60: Torna ai felici dì | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | B♭ Minor | 2 | 3A | 91 BPM | ||
La Traviata, Act I: Che è ciò — Un dì felice | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 1 | 6B | 81 BPM | ||
Francesca da Rimini: Act I: Madonna Francesca! (Le Donne, Francesca, Chorus) | Riccardo Zandonai, Magda Olivero, Orchestra La Scala di Milano, Coro La Scala di Milano, Gianandrea Gavazzeni | A♭ Major | 0 | 4B | 85 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Verdi: La traviata, Act 1: "Si ridesta in ciel l'aurora" (Flora, Gastone, Baron, Doctor, Marquis, Chorus) | Giuseppe Verdi, Ede Marietti Gandolfo, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI | A♭ Major | 4 | 4B | 78 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Puccini: Turandot, Act 2: "Diecimilia anni al nostro imperatore!" (Crowd, Mandarin, Boys) | Giacomo Puccini, Giulio Mauri, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM |
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