"Vespers for a New Dark Age: II. Hello Lord" by Missy Mazzoli, Victoire, Glenn Kotche was released on March 31, 2015. The duration of Vespers for a New Dark Age: II. Hello Lord is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Vespers for a New Dark Age: II. Hello Lord's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche's "Missy Mazzoli: Vespers for a New Dark Age" album is number 2 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Vespers for a New Dark Age: II. Hello Lord is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: II. Hello Lord by Missy Mazzoli, Victoire, Glenn Kotche to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
G Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Prospero's Magic | Michael Nyman Band | B♭ Minor | 2 | 3A | 144 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Tavener: Lamentations and Praises: XIX. Resurrection in Hadës | John Tavener, Chanticleer, Handel and Haydn Society of Boston Ensemble, Joseph Jennings | C Major | 2 | 8B | 106 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Like a Miracle | Missy Mazzoli, Victoire | F♯ Major | 6 | 2B | 100 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Lachrimae, or Seaven Teares: No. 1, Lachrimae Antiquae | John Dowland, Christian-Pierre La Marca | A♭ Minor | 1 | 1A | 100 BPM |
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