Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum's 'Carmina Burana / III. Cour d'amours: "Dulcissime"' came out on January 1, 1988. With Carmina Burana / III. Cour d'amours: "Dulcissime" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #23. Based on our statistics, Carmina Burana / III. Cour d'amours: "Dulcissime"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / III. Cour d'amours: "Dulcissime" by Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | ||
Manon Lescaut: Act IV: Sola, perduta, abbandonata | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
An die Musik, Op. 88, No. 4, D. 547 | Franz Schubert, Markus Eiche, Jens Fuhr | A♭ Major | 0 | 4B | 86 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Turandot / Act 3: "Del primo pianto...Più grande vittoria non voler" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 85 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Rita Streich, Orchester der Deutschen Oper Berlin, Reinhard Peters | A♭ Major | 1 | 4B | 89 BPM | ||
La battaglia di Legnano: Preghiera, 'Deus meus, pone illos ut rotam' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, London Philharmonic Orchestra & Eugen Jochum, Eugen Jochum, London Philharmonic Orchestra | C Minor | 1 | 5A | 77 BPM | ||
Requiem: I. Requiem | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 137 BPM | ||
Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus | E Minor | 0 | 9A | 139 BPM |
Section: 0.7056846618652344
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