"Funeral Sentences For Queen Mary: In The Midst Of Life" by Timothy Brown, Henry Purcell, Nicholas Parker, William Carter, Andrew Manze, Tim Handley, Jenny Ward - Clarke, Jonathan Brown, Marshall Marcus, Liz Kenny, Choir of Clare College, Cambridge, Jan Schlapp was released on December 22, 2006. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Timothy Brown's "Miserere, Lamentations" album is number 10 out of 13. In terms of popularity, Funeral Sentences For Queen Mary: In The Midst Of Life is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Funeral Sentences For Queen Mary: In The Midst Of Life by Timothy Brown, Henry Purcell, Nicholas Parker, William Carter, Andrew Manze, Tim Handley, Jenny Ward - Clarke, Jonathan Brown, Marshall Marcus, Liz Kenny, Choir of Clare College, Cambridge, Jan Schlapp to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo, Ato primo: II. Lasciate i monti | Claudio Monteverdi, Jordi Savall, La Capella Reial De Catalunya, Francesc Garrigosa, Le Concert Des Nations | G Major | 2 | 9B | 85 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Brothere James' Air | Gordon Jacob, Choir of Clare College, Cambridge, Timothy Brown | D Major | 1 | 10B | 66 BPM | ||
Magnificat in D Major, BWV 243: X. Suscepit Israel | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Stabat Mater in F Minor: V. Quis est homo, qui Non fleret | Giovanni Battista Pergolesi, Angharad Gruffydd Jones, Lawrence Zazzo, Cambridge Soloists, Timothy Brown | F♯ Minor | 4 | 11A | 80 BPM | ||
De profundis, LWV 62: De profundis | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | C Major | 2 | 8B | 97 BPM | ||
Timor Domini | Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge | B Minor | 1 | 10A | 73 BPM | ||
Ave Maria | Robert Parsons, Choir of Clare College, Cambridge, Timothy Brown | A Major | 0 | 11B | 127 BPM | ||
Tallis: If Ye Love Me | Thomas Tallis, Choir of Clare College, Cambridge, Timothy Brown | E Major | 2 | 12B | 77 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |
Section: 0.6987669467926025
End: 0.7039422988891602