"Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es dunkelt, daß ich nicht sehe zur Arbeit - Live" by Richard Strauss, Walter Berry, Hans Helm, Lorenzo Alvary, Murray Dickie, Ruth Hesse, Birgit Nilsson, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm was released on January 1, 1985. The duration of Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es dunkelt, daß ich nicht sehe zur Arbeit - Live is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es dunkelt, daß ich nicht sehe zur Arbeit - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Strauss, R.: Die Frau ohne Schatten". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es dunkelt, daß ich nicht sehe zur Arbeit - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es dunkelt, daß ich nicht sehe zur Arbeit - Live by Richard Strauss, Walter Berry, Hans Helm, Lorenzo Alvary, Murray Dickie, Ruth Hesse, Birgit Nilsson, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM | ||
Ariadne auf Naxos / Prologue: "Ein Augenblick ist wenig" | Richard Strauss, Edita Gruberova, Julia Varady, Gewandhausorchester Leipzig, Kurt Masur | E Major | 1 | 12B | 95 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | E♭ Minor | 1 | 2A | 79 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM |
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