Robert Cyril Gladstone Potter, Peter Breiner, Slovak Radio Symphony Orchestra's 'Guyana ["Dear land of Guyana of rivers and plains"]' came out on January 1, 2000. With Guyana ["Dear land of Guyana of rivers and plains"] being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 83 in the song's album "National Anthems of the Commonwealth (Melbourne 2006 Edition)". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Hong Kong. Guyana ["Dear land of Guyana of rivers and plains"] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Guyana ["Dear land of Guyana of rivers and plains"] by Robert Cyril Gladstone Potter, Peter Breiner, Slovak Radio Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
Yemen: "Repeat, O World, my song…" | Ayyoab Tarish Absi, Slovak State Philharmonic Orchestra, Peter Breiner | F Major | 3 | 7B | 58 BPM | ||
Blithe Bells (After J.S. Bach's BWV 208) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B Major | 2 | 1B | 89 BPM | ||
Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Faeroe Islands: "My land, oh most beauteous, possession most dear…" (Olympic version) [arr. P. Breiner] | Peter Alberg, Slovak Radio Symphony Orchestra, Peter Breiner | A Minor | 3 | 8A | 76 BPM | ||
1941 (March) | Royal Symphony Orchestra | B♭ Major | 4 | 6B | 170 BPM | ||
The Long Day Closes: I. Main Titles | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
The Raiders March | Danish National Symphony Orchestra, Christian Schumann | C Major | 5 | 8B | 126 BPM |
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