"Orfeo ed Euridice (1997 Digital Remaster), Act III, Scene 1: Che farò senza Euridice? (Orfeo)" by Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra was released on February 1, 2011. Orfeo ed Euridice (1997 Digital Remaster), Act III, Scene 1: Che farò senza Euridice? (Orfeo) is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There is only one song in 100 Drivetime Classics, so we believe that "Orfeo ed Euridice (1997 Digital Remaster), Act III, Scene 1: Che farò senza Euridice? (Orfeo)" is a single. In terms of popularity, Orfeo ed Euridice (1997 Digital Remaster), Act III, Scene 1: Che farò senza Euridice? (Orfeo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orfeo ed Euridice (1997 Digital Remaster), Act III, Scene 1: Che farò senza Euridice? (Orfeo) by Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: "Gira la cote!" | Giacomo Puccini, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 0 | 2B | 74 BPM | ||
I Capuleti e i Montecchi, Act I - Scene 1: Ascolta. Se Romeo t'uccise un figlio (Romeo) | Vincenzo Bellini, Agnes Baltsa, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti, Orch.Of Royal Opera House Covent Garden | G Major | 1 | 9B | 77 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
La Gioconda / Act 4: Ecco il velen di Laura | Amilcare Ponchielli, Montserrat Caballé, Neil Jenkins, Geoffrey Shaw, Luciano Pavarotti, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 1 | 8B | 87 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM | ||
La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 2, September | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D Major | 1 | 10B | 70 BPM |
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