Richard Wagner, John Dickie, Deborah Voigt, Petra Lang, Vienna State Opera Orchestra, Christian Thielemann made "Tristan und Isolde / Act 1: "Westwärts schweift der Blick"" available on January 1, 2004. Tristan und Isolde / Act 1: "Westwärts schweift der Blick" is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann. The song's track number on the album is #2 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Tristan und Isolde / Act 1: "Westwärts schweift der Blick"'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Tristan und Isolde / Act 1: "Westwärts schweift der Blick" by Richard Wagner, John Dickie, Deborah Voigt, Petra Lang, Vienna State Opera Orchestra, Christian Thielemann has a tempo of 145 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tristan und Isolde / Act 1: "Westwärts schweift der Blick" being at 145 BPM, the half-time would be 72 BPM with a double-time of 290 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso. Durchaus ppp | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger | A Minor | 0 | 8A | 174 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: Vorspiel - Weia! Waga! Woge, du Welle! | Richard Wagner, Lisette Oropesa, Jennifer Johnson, Tamara Mumford, Eric Owens, Metropolitan Opera Orchestra, James Levine | E Minor | 0 | 9A | 124 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Fasolt und Fafner nahen von fern" | Richard Wagner, Set Svanholm, Eberhard Wächter, Waldemar Kmentt, Kirsten Flagstad, Walter Kreppel, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 101 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Fliegt heim, ihr Raben! | Richard Wagner, Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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