Wolfgang Amadeus Mozart, Susanne Mentzer/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Ma poi, Masetto mio" - No. 12, Aria, "Batti, batti, o bel Masetto" (Zerlina)' came out on October 31, 1988. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 4 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Ma poi, Masetto mio" - No. 12, Aria, "Batti, batti, o bel Masetto" (Zerlina) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Ma poi, Masetto mio" - No. 12, Aria, "Batti, batti, o bel Masetto" (Zerlina) by Wolfgang Amadeus Mozart, Susanne Mentzer/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Verdi: Aida, Act 1: "Alta cagion v'aduna" (Il Re, Messaggero, Radamès, Ramfis, Sacerdoti, Ministri, Capitani, Aida, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 88 BPM | ||
Turandot / Act 1: Perché tarda la luna? (Coro) | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | F♯ Minor | 1 | 11A | 79 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Fine al rito" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 2 | 6B | 165 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
La Sonnambula / Act 1: Viva! Viva Amina! | Vincenzo Bellini, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F♯ Minor | 1 | 11A | 116 BPM | ||
Otello, ossia Il moro di Venezia: Act I: Cavatina: Ah si, per voi gia sento (Otello, Jago, Choir) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | ||
Rigoletto / Act 3: È amabile invero cotal giovinotto | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | A Major | 2 | 11B | 96 BPM | ||
Madama Butterfly / Act 1: America for ever | Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 108 BPM |
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