"Swan Lake, Op. 20: No.22 Danse Napolitaine" by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler was released on March 18, 1989. The duration of Swan Lake, Op. 20: No.22 Danse Napolitaine is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Swan Lake, Op. 20: No.22 Danse Napolitaine's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tchaikovsky: Swan Lake Highlights". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. The popularity of Swan Lake, Op. 20: No.22 Danse Napolitaine is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20: No.22 Danse Napolitaine by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere, Act III: 45. "Variation - 2nd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 175 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Coppélia: Danse de fête | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 73 BPM | ||
Giselle (1996 Digital Remaster), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance | Adolphe Adam, Terence Kern/London Festival Ballet Orchestra, Terence Kern, Terrence Kern, London Festival Ballet Orchestra | D Major | 5 | 10B | 103 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 2: Scene 1 - Conclusion | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Minor | 1 | 5A | 73 BPM | ||
Act I: Coda (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 160 BPM |
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