Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Benedetta Mazzucato made "Strozzi: L’amante consolato" available on May 3, 2024. The duration of Strozzi: L’amante consolato is about 3 minutes long, at 3:16. Based on our data, "Strozzi: L’amante consolato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wonder Women by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #12 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Strozzi: L’amante consolato is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Strozzi: L’amante consolato by Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Benedetta Mazzucato has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Strozzi: L’amante consolato being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Recercada ottava La Gamba | Diego Ortiz, Mika Suihkonen | F♯ Minor | 2 | 11A | 106 BPM | ||
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
L'innocenza dei Ciclopi: Cantata Sopra il Passacaglio - Diatonica | Christina Pluhar, Luigi Pozzi, Marco Beasley, Lucilla Galeazzi, Gianluigi Trovesi, L'Arpeggiata | A Minor | 1 | 8A | 133 BPM | ||
Fuga a 5 voci sopra la canzone di Cecilia | Leonardo García-Alarcón, Cappella Mediterranea, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Primo libro de' madrigali, Op. 1: Chi di noi | Barbara Strozzi, La Venexiana, Claudio Cavina | F Major | 1 | 7B | 178 BPM | ||
Caccini: Così, perfida Alcina | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Luciana Mancini | F Major | 2 | 7B | 88 BPM | ||
Hit in the Middle | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Major | 0 | 3B | 77 BPM | ||
Rossi / Arr. Pluhar: L'Orfeo, Act 3: "Lagrime, dove sete ?" (Orfeo) | Luigi Rossi, Christina Pluhar, Valer Sabadus | F Minor | 1 | 4A | 84 BPM |
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