"Parsifal / Act 1: "Seht dort, die wilde Reiterin"" by Richard Wagner, Janina Baechle, Denschlag Daniela, Benedikt Kobel, In-Sung Sim, Waltraud Meier, Franz-Josef Selig, Vienna State Opera Orchestra, Christian Thielemann was released on January 1, 2006. The duration of Parsifal / Act 1: "Seht dort, die wilde Reiterin" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Parsifal / Act 1: "Seht dort, die wilde Reiterin"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Parsifal by Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann. The song's track number on the album is #3 out of 44 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Parsifal / Act 1: "Seht dort, die wilde Reiterin" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal / Act 1: "Seht dort, die wilde Reiterin" by Richard Wagner, Janina Baechle, Denschlag Daniela, Benedikt Kobel, In-Sung Sim, Waltraud Meier, Franz-Josef Selig, Vienna State Opera Orchestra, Christian Thielemann has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Parsifal / Act 1: "Seht dort, die wilde Reiterin" being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Trauermarsch | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 1 | 4A | 128 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM |
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