"Albinoni: Oboe Concerto in D Major (No. 6 from "12 Concertos à cinque", Op. 7): II. Adagio (Arr. for Trumpet by Bernhard Paumgartner)" by Tomaso Albinoni, Maurice André, Sir Charles Mackerras, English Chamber Orchestra had its release date on 1999. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Albinoni: Oboe Concerto in D Major (No. 6 from "12 Concertos à cinque", Op. 7): II. Adagio (Arr. for Trumpet by Bernhard Paumgartner)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice André's "Music for Trumpet" album is number 17 out of 48. Albinoni: Oboe Concerto in D Major (No. 6 from "12 Concertos à cinque", Op. 7): II. Adagio (Arr. for Trumpet by Bernhard Paumgartner) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albinoni: Oboe Concerto in D Major (No. 6 from "12 Concertos à cinque", Op. 7): II. Adagio (Arr. for Trumpet by Bernhard Paumgartner) by Tomaso Albinoni, Maurice André, Sir Charles Mackerras, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: IV. Allegro e solo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | D♭ Minor | 3 | 12A | 132 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Concerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: III. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 4 | 8B | 119 BPM |