On November 3, 2003, the song "8 Marches for Harmonious Music: No. 2, March" was released by Anonymous, Royal Swedish Army Conscript Band, Mats Janhagen. With 8 Marches for Harmonious Music: No. 2, March being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Royal Swedish Army Conscript Band, Mats Janhagen, Orphei Drängar's "Musik & Tradition" album is number 13 out of 44. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, 8 Marches for Harmonious Music: No. 2, March is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 8 Marches for Harmonious Music: No. 2, March by Anonymous, Royal Swedish Army Conscript Band, Mats Janhagen to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'esperance Gaudemus / Salve Regina | Monks Of The Benedictine Abbey | E Major | 0 | 12B | 63 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Veni, Creator Spiritus - Hymnus (tonus monasticus) in Festo Pentecostes | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | B♭ Major | 1 | 6B | 71 BPM | ||
Hymnus, Ave Maria | Choir of Beirut | C Major | 0 | 8B | 125 BPM | ||
Santa Maria Sennor | Ensemble Gilles Binchois | B Minor | 2 | 10A | 170 BPM | ||
Messe de Notre-Dame: IV. Graduel. Suscepimus Deus misericordiam tuam | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | E Major | 1 | 12B | 78 BPM | ||
Tractus, Regina Caeli Solemne | Choir of Beirut | F Major | 0 | 7B | 124 BPM | ||
The Cherubimic Hymn | The Male Choir of Valaam Singing Culture Institute | B♭ Minor | 1 | 3A | 79 BPM | ||
Missa Presulem ephebeatum: I. Kyrie | Heinrich Isaac, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 83 BPM |
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