"Concerto for Piano and orchestra (1976): 2. Lento e tenuto" by Ivan Spassov, Roxana Bogdanova, Plovdiv Philharmonic Orchestra, Georgi Dimitrov was released on November 20, 2011. With Concerto for Piano and orchestra (1976): 2. Lento e tenuto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ivan Spassov, Roxana Bogdanova's "Ivan Spassov: Piano Works" album is number 17 out of 18. On top of that, Bulgaria appears to be the country where this track was created. Based on our statistics, Concerto for Piano and orchestra (1976): 2. Lento e tenuto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Piano and orchestra (1976): 2. Lento e tenuto by Ivan Spassov, Roxana Bogdanova, Plovdiv Philharmonic Orchestra, Georgi Dimitrov to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | D♭ Major | 0 | 3B | 84 BPM | ||
Londonderry Air | Traditional, London Philharmonic Orchestra, John Alldis | E♭ Major | 0 | 5B | 114 BPM | ||
1937: Saint Sebastian | Philip Glass, Kronos Quartet, Michael Riesman | D Minor | 0 | 7A | 93 BPM | ||
Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
Finale - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | F Minor | 1 | 4A | 71 BPM | ||
And Wept Bitterly (Lament on an Ostinato for String Orchestra) | Mack Wilberg, The Tabernacle Choir at Temple Square, Orchestra at Temple Square | F Major | 1 | 7B | 82 BPM | ||
Sonata No. 1: III. Con bravura | Ivan Spassov, Roksana Bogdanova | B♭ Major | 3 | 6B | 75 BPM | ||
Fluxuation | Deion J. Kieley | F Minor | 0 | 4A | 67 BPM | ||
the little match girl passion: when it is time for me to go | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 78 BPM | ||
Apartment House 1776: Harmony No. 2, Mansfield | John Cage, Arditti Quartet | F Major | 0 | 7B | 173 BPM |
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