Heitor Villa-Lobos, William Wilson's 'Prelude No. 2' came out on June 2, 2002. The duration of Prelude No. 2 is about 3 minutes long, at 3:26. Based on our data, "Prelude No. 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in William Wilson's "La Catedral" album is number 6 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Prelude No. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude No. 2 by Heitor Villa-Lobos, William Wilson to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Villa-Lobos: 12 Études, W235: No. 1 in E Minor, Allegro non troppo | Heitor Villa-Lobos, Turibio Santos | F Major | 1 | 7B | 133 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
El choclo (arr. R. Cobo): El Choclo (arr. R. Cobo) | Ricardo Cobo, Angel Gregorio Villoldo | D Major | 1 | 10B | 127 BPM | ||
Debussy: Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été (Arr. Lenski for Flute and Piano) | Claude Debussy, Emmanuel Pahud, Stephen Kovacevich | F♯ Major | 0 | 2B | 113 BPM | ||
Nocturne, L. 82, CD 89 | Claude Debussy, Jean-Efflam Bavouzet | F Minor | 0 | 4A | 65 BPM | ||
Rhapsody in G Minor, Op. 79, No. 2 | Johannes Brahms, Martha Argerich | E♭ Major | 0 | 5B | 71 BPM | ||
Bachianas brasileiras No. 4: I. Preludio: Introducao | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | B Minor | 1 | 10A | 81 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM |
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