"Bachianas brasileiras No. 4: I. Preludio: Introducao" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. Since Bachianas brasileiras No. 4: I. Preludio: Introducao is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #1 out of 29 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Bachianas brasileiras No. 4: I. Preludio: Introducao is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 4: I. Preludio: Introducao by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 4: I. Preludio: Introducao being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tico-Tico No Fubá | Zequinha De Abreu, Braclassic | D Major | 5 | 10B | 174 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Lua Branca - Arr. for Piano and Violin | Chiquinha Gonzaga, Marcus Viana, Maria Teresa Madeira | C Minor | 1 | 5A | 170 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Romanian Folk Dances, Sz. 56 - Arr. for String Orchestra by Arthur Wilner | Béla Bartók, Orchestra of the Swan, David le Page | B Minor | 0 | 10A | 78 BPM | ||
Valsa Da Dor | Heitor Villa-Lobos, Khatia Buniatishvili | E Minor | 0 | 9A | 76 BPM | ||
7 Paulistanas: Paulistana No. 1 | Claudio Santoro, Arnaldo Cohen | D♭ Major | 0 | 3B | 75 BPM | ||
Detskiy al'bom 2 (Children's Album No. 2): No. 9. Toccata (arr. for harp) | Anonymous, Aram Khachaturian, Julia Sverdlov | E Major | 2 | 12B | 148 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM |
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