"Préludes / Book 1, L.117: 10. La cathédrale engloutie - Live" by Claude Debussy, Krystian Zimerman had its release date on November 18, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 24 in Debussy: Preludes by Claude Debussy, Krystian Zimerman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L.117: 10. La cathédrale engloutie - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Book 1, L.117: 10. La cathédrale engloutie - Live by Claude Debussy, Krystian Zimerman is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le diable dans le beffroi, L. 101, Tableau 1 (Completed & Orchestrated by R. Orledge): Tableau 1: Bonjour, monsieur le haut-sonneur… (Bourgmestre, Haute-sonneur) | Claude Debussy, Eugene Villanueva, Michael Dries, Göttinger Symphonie Orchester, Christoph-Mathias Mueller | E Major | 1 | 12B | 83 BPM | ||
Sonata No. 2, Op. 36: I. Allegro agitato | Hélène Grimaud | D♭ Major | 1 | 3B | 78 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 33 in B-Flat Major, Op. 67, No. 3 | Felix Mendelssohn, Péter Nagy | B♭ Major | 0 | 6B | 111 BPM | ||
Pelléas et Mélisande, L. 88 / Act III: "S'ils s'embrassent, petit père?" | Claude Debussy, José van Dam, Patrizia Pace, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 166 BPM | ||
Sonata No. 1 for Violin and Piano in A Major, Op. 13: II. Andante | Gabriel Fauré, Rafał Blechacz, Bomsori | G Major | 0 | 9B | 59 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM | ||
Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Vladimir Horowitz | C Major | 0 | 8B | 94 BPM |