Matt Baker made "Pygmalion" available on February 4, 2004. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Trainwreck". In this album, this song's track order is #6. In terms of popularity, Pygmalion is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pygmalion by Matt Baker having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 2. Tempo della thema | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Septet in E-Flat Major, Op. 65: IV. Gavotte et Final. Allegro non troppo – Animato | Camille Saint-Saëns, Nash Ensemble | F Major | 1 | 7B | 135 BPM | ||
Vocalise-Etude (arr. for violin and piano) | Gabriel Fauré, Malin Broman, Simon Crawford-Phillips | A Minor | 1 | 8A | 47 BPM | ||
Das Waldmädchen: No. 19, Masur | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Chicago | Matt Baker | F Major | 6 | 7B | 130 BPM | ||
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM | ||
Chapter Four: The Tenant First Method.2 - Next Level Landlord | Matt Baker | B Minor | 2 | 10A | 168 BPM | ||
Fiorella, S. 15: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | B♭ Major | 1 | 6B | 111 BPM | ||
Neilos | Bron, Vicent Colonques, Tico Porcar, Matt Baker | E♭ Major | 3 | 5B | 74 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco | Valery Gergiev | D♭ Minor | 1 | 12A | 69 BPM |
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