"Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace" by Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker was released on 2003. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 38 in Beethoven : Symphonies 1-9 by Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker. In terms of popularity, Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace by Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 6 | 7A | 103 BPM | ||
Isabella: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | D Major | 3 | 10B | 102 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
An der schönen blauen Donau, Op. 314 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | D Major | 1 | 10B | 96 BPM | ||
Scherzo No. 3 in C Sharp Minor, Op. 39 | Frédéric Chopin, Ivo Pogorelich | D♭ Major | 1 | 3B | 67 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 6 | 5B | 86 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9 | Frédéric Chopin, Idil Biret | E Major | 0 | 12B | 78 BPM |
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