Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's 'The Horatians and the Curiatians: No. 25, The Battle of the Sword Fighters' came out on August 8, 2013. With The Horatians and the Curiatians: No. 25, The Battle of the Sword Fighters being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 25 out of 31. In terms of popularity, The Horatians and the Curiatians: No. 25, The Battle of the Sword Fighters is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of The Horatians and the Curiatians: No. 25, The Battle of the Sword Fighters by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ivan the Terrible, Op. 116, Pt. 1: Cannon Are Brought to Kazan - Ivan's Tent II - The Tartar | Sergei Prokofiev, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 2 | 6B | 80 BPM | ||
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
Scherzo capriccioso, Op. 66, B. 131 | Antonín Dvořák, Berlin Radio Symphony Orchestra, Hans Zimmer | E♭ Major | 1 | 5B | 76 BPM | ||
Metropolis: II. Zwischenspiel: Der Tanz | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Major | 4 | 2B | 114 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | ||
Vertigo Suite: II. Scene d'amour | Bernard Herrmann, Danish National Symphony Orchestra, John Mauceri | C Major | 2 | 8B | 132 BPM |
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