"Concertino for String Orchestra: Vivace ed energico" by Bruce Montgomery, Royal Ballet Sinfonia, David Lloyd-Jones was released on September 7, 2001. With this song being about 5 minutes long, at 4:51, "Concertino for String Orchestra: Vivace ed energico" by Bruce Montgomery, Royal Ballet Sinfonia, David Lloyd-Jones is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 14 in English String Miniatures, Vol. 3 by Royal Ballet Sinfonia. Based on our statistics, Concertino for String Orchestra: Vivace ed energico's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concertino for String Orchestra: Vivace ed energico by Bruce Montgomery, Royal Ballet Sinfonia, David Lloyd-Jones is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VII. in C minor. Allegro assai | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
25 Études faciles et progressives, Op. 100: No. 8, La gracieuse | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Olympic Winner | Henri Seroka | D Major | 3 | 10B | 77 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Suite for Variety Orchestra: II. Dance No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A Major | 3 | 11B | 80 BPM | ||
Sally in Our Alley (arr. for string orchestra) | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Mad Max 2: The Road Warrior End Title | Brian May | G Minor | 1 | 6A | 102 BPM | ||
Fantasy Pieces, Op. 45: Summer Song | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 91 BPM | ||
The Night Of The Iguana: Maxine And Shannon Theme (Finale) | Benjamin Frankel, Queensland Symphony Orchestra, Werner Andreas Albert | A Major | 0 | 11B | 83 BPM |
Section: 0.6837117671966553
End: 0.6875600814819336