"Birds of the Psalms: VIII. Psalm 61 (Live)" by Patricia Van Ness, Cappella Clausura, Amelia Leclair was released on July 13, 2018. The duration of Birds of the Psalms: VIII. Psalm 61 (Live) is about 3 minutes long, at 3:16. Based on our data, "Birds of the Psalms: VIII. Psalm 61 (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Patricia Van Ness: Birds of the Psalms (Live)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Birds of the Psalms: VIII. Psalm 61 (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Birds of the Psalms: VIII. Psalm 61 (Live) by Patricia Van Ness, Cappella Clausura, Amelia Leclair having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Caritas | Patricia Van Ness, Schnittpunktvokal Male Quartet | F♯ Minor | 1 | 11A | 135 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
The Day You Gave Us, Lord, Is Ended (Arr. Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | G Major | 2 | 9B | 83 BPM | ||
Requiem: Libera and The Comforter | Patricia Van Ness, Coro Allegro, Sanford Sylvan, David Hodgkins | F♯ Minor | 0 | 11A | 169 BPM | ||
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47 | Felix Mendelssohn, Westminster Kantorei, Amanda Quist | D Major | 2 | 10B | 87 BPM | ||
Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM | ||
いつもいつものアレルヤ | 子羊の群れキリスト教会 | D Minor | 0 | 7A | 124 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM |
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