George Gershwin, Itzhak Perlman, Samuel Sanders made "Gershwin: 3 Preludes: III. Allegro ben ritmato e deciso (Arr. for Violin and Piano by Jascha Heifetz)" available on October 3, 2005. With Gershwin: 3 Preludes: III. Allegro ben ritmato e deciso (Arr. for Violin and Piano by Jascha Heifetz) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #21 out of 46 tracks. In terms of popularity, Gershwin: 3 Preludes: III. Allegro ben ritmato e deciso (Arr. for Violin and Piano by Jascha Heifetz) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Gershwin: 3 Preludes: III. Allegro ben ritmato e deciso (Arr. for Violin and Piano by Jascha Heifetz) by George Gershwin, Itzhak Perlman, Samuel Sanders has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gershwin: 3 Preludes: III. Allegro ben ritmato e deciso (Arr. for Violin and Piano by Jascha Heifetz) being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
George Gershwin's Song-Book: No. 8. The Man I Love | George Gershwin, Michael Endres | A♭ Major | 0 | 4B | 65 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
After You, Mr. Gershwin ! | Bela Kovacs, André Moisan, Jean Saulnier | E♭ Major | 0 | 5B | 113 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
The Tale of Tsar Saltan: The Flight of the Bumble-bee | Nikolai Rimsky-Korsakov, Ludmila Peterková, Irina Kondratenko | G Minor | 1 | 6A | 169 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM |
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