Antonín Dvořák, Martina Arroyo, Leonard Hokanson made "Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 4. Als die alte Mutter (Songs My Mother Taught Me)" available on August 7, 2012. The duration of Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 4. Als die alte Mutter (Songs My Mother Taught Me) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 4. Als die alte Mutter (Songs My Mother Taught Me)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martina Arroyo's "Martina Arroyo: Liederabend 1968" album is number 15 out of 22. On top of that, Germany appears to be the country where this track was created. Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 4. Als die alte Mutter (Songs My Mother Taught Me) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 4. Als die alte Mutter (Songs My Mother Taught Me) by Antonín Dvořák, Martina Arroyo, Leonard Hokanson to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Cello Concerto in E Minor, RV 409: II. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 145 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Romanze in f-Moll, Op. 11, B. 39: Romance for Violin and Orchestra in F Minor, Op. 1 | Antonín Dvořák, Ilya Kaler, Polish National Radio Symphony Orchestra, Camilla Kolchinsky | D♭ Major | 0 | 3B | 100 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM |
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