"Also sprach Zarathustra, Op. 30, TrV 176: Introduction (From "2001: A Space Odyssey" and "2010: The Year We Make Contact") [Reprise, Original Version]" by Richard Strauss, Cincinnati Pops Orchestra, Erich Kunzel had its release date on December 1, 1984. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Also sprach Zarathustra, Op. 30, TrV 176: Introduction (From "2001: A Space Odyssey" and "2010: The Year We Make Contact") [Reprise, Original Version]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Time Warp". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Also sprach Zarathustra, Op. 30, TrV 176: Introduction (From "2001: A Space Odyssey" and "2010: The Year We Make Contact") [Reprise, Original Version] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Introduction (From "2001: A Space Odyssey" and "2010: The Year We Make Contact") [Reprise, Original Version] by Richard Strauss, Cincinnati Pops Orchestra, Erich Kunzel having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Steiner's Theme | Ernest Gold | D♭ Minor | 3 | 12A | 141 BPM | ||
The Imperial March (From "Star Wars, Episode V: The Empire Strikes Back") | John Williams, Cincinnati Pops Orchestra, Erich Kunzel | G Minor | 3 | 6A | 110 BPM | ||
Peter Pan and Tinkerbell: 5. Captain Hook's Lament | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 139 BPM | ||
The Wonderful Country | Alex North | A♭ Minor | 8 | 1A | 108 BPM | ||
Politburo | Christopher Willis | A Minor | 1 | 8A | 73 BPM | ||
A Byzantine Family: IV. Hush My Child (End Credits) | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Through The Eyes Of Love (From "Ice Castles") | William Tritt, Cincinnati Pops Orchestra, Erich Kunzel | D♭ Major | 0 | 3B | 72 BPM | ||
Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
Journey In the Dark (The Mines Fo Moria-The Bridge of Khazad-Dûm) | Johan de Meij | D Major | 0 | 10B | 55 BPM | ||
Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 3 | 10B | 78 BPM |