"Symphony No.9 in C Major D 944 The Great : III.Scherzo : Allegro Vivace" by Wilhelm Furtwängler, Berliner Philharmoniker was released on 2003. Since Symphony No.9 in C Major D 944 The Great : III.Scherzo : Allegro Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Schubert: Symphonies Nos. 8 & 9 (24.10.1948 & 06/08.12.1942)". In this album, this song's track order is #5. Based on our statistics, Symphony No.9 in C Major D 944 The Great : III.Scherzo : Allegro Vivace's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.9 in C Major D 944 The Great : III.Scherzo : Allegro Vivace by Wilhelm Furtwängler, Berliner Philharmoniker having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
Wagner: Das Rheingold, Scene 2: "Endlich Loge!" (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt) | Richard Wagner, Wilhelm Furtwängler, Alfred Poell, Ferdinand Frantz, Gottlob Frick, Ira Malaniuk, Josef Greindl, Lorenz Fehenberger, Wolfgang Windgassen, Orchestra Sinfonica di Roma della RAI | C Minor | 0 | 5A | 69 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile – Vivace assai | Joseph Haydn, Wilhelm Furtwängler, Pierre Monteux | D Minor | 2 | 7A | 149 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 10, Funeral March. Andante comodo | Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra | C Minor | 0 | 5A | 0 BPM | ||
Verdi: Aida: Prelude | Giuseppe Verdi, Orchestra del Teatro alla Scala Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 107 BPM | ||
Symphony No. 5 In C Minor, Op. 67, Andante Con Moto (excerpt) | The Royal Festival Orchestra, William Bowles | B♭ Major | 1 | 6B | 118 BPM |
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