Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (Arr. Vaughan Williams for Piano) - Johann Sebastian Bach, Jonathan Plowright Information

Acousticness: 99%
Danceability: 42%
Energy: 1%
Instrumentalness: 95%
Liveness: 9%
Loudness: 56%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -26.213 dB

Summary

"Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (Arr. Vaughan Williams for Piano)" by Johann Sebastian Bach, Jonathan Plowright had its release date on August 31, 2010. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 14 out of 20 in Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen by Johann Sebastian Bach, Jonathan Plowright, Johann Ludwig Krebs. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (Arr. Vaughan Williams for Piano)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (Arr. Vaughan Williams for Piano) BPM

The tempo marking of Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (Arr. Vaughan Williams for Piano) by Johann Sebastian Bach, Jonathan Plowright is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (Arr. Vaughan Williams for Piano) Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major	Franz Liszt, Jenő Jandó	A♭ Major	0	4B	60 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Lyric Pieces, Book 1, Op. 12: I. Arietta	Edvard Grieg, Javier Perianes	B♭ Major	0	6B	72 BPM
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando	Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni	E Minor	0	9A	68 BPM
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola'	Nora Mercz, Frédéric Chopin, Janos Balint	E Major	0	12B	73 BPM
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro	Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel	E Major	2	12B	105 BPM
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784]	Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay	E Minor	2	9A	112 BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	D Major	1	10B	119 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
Consolation No. 3 in D-Flat Major, S. 172	Franz Liszt, Lang Lang	D♭ Major	0	3B	74 BPM

ISRC: GBAJY1076714
Label: L-M Records/RCA Records