"… in the still hours" by Philip Cashian, Birmingham Contemporary Music Group, Stefan Asbury was released on April 1, 2012. Since … in the still hours is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Cashian: Dark Inventions by Philip Cashian, Birmingham Contemporary Music Group, Stefan Asbury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, … in the still hours is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of … in the still hours by Philip Cashian, Birmingham Contemporary Music Group, Stefan Asbury is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Lyric Pieces, Op. 62: No. 5, Phantom (Arr. for Clarinet & Piano by Ottensamer / Traxler) | Edvard Grieg, Daniel Ottensamer | A Minor | 0 | 8A | 69 BPM | ||
New Life Piano Sonata, Op. 99: II. Pesante | Fazıl Say | B♭ Major | 1 | 6B | 87 BPM | ||
Jackson Pollock (1950-51) for two Cellos: IV Detail of Paintings | Morton Feldman, Lucas Fels, Tobias Moster | E Minor | 0 | 9A | 64 BPM | ||
Variations on a theme of Paganini: Var. 14. Alla giga | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Slow Moon | Philip Cashian, Thalia Myers | D♭ Major | 3 | 3B | 55 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: No. 3, Elegia. Adagio | Anton Arensky, Smetana Trio | G Minor | 0 | 6A | 89 BPM | ||
Messiaen: Éclairs sur l'au-delà...: V. Demeurer dans l'Amour | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Sonatina for Violin & Piano, Op. 6: I. Fast and Deliberate | Heinz Roemheld, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM |
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