On May 1, 1987, the song "Schlau-Schlau, Op. 6" was released by Johann Strauss III, Johann Strauss Orchestra, Jack Rothstein. The duration of Schlau-Schlau, Op. 6 is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Schlau-Schlau, Op. 6's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna Premiere, Vol. 2 by Johann Strauss Orchestra, Jack Rothstein, Marilyn Hill Smith. The song's track number on the album is #13 out of 17 tracks. Schlau-Schlau, Op. 6 is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Schlau-Schlau, Op. 6 by Johann Strauss III, Johann Strauss Orchestra, Jack Rothstein has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Schlau-Schlau, Op. 6 being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Variety Orchestra: II. Dance No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A Major | 3 | 11B | 80 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.2: Danse Bohème | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | C Major | 1 | 8B | 144 BPM | ||
The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
Saraband | Leroy Anderson | D Major | 2 | 10B | 88 BPM | ||
Fucik : Florentiner-Marsch Op.214 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | F Major | 4 | 7B | 125 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
crazy | ismet cerepi | F Minor | 1 | 4A | 114 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM |
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