"María Manuela: "En los Claros Días de la Corte Hubo una Pastora Que a Palacio..."" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica was released on December 3, 2013. The duration of María Manuela: "En los Claros Días de la Corte Hubo una Pastora Que a Palacio..." is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. María Manuela: "En los Claros Días de la Corte Hubo una Pastora Que a Palacio..."'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #3 out of 16 tracks. María Manuela: "En los Claros Días de la Corte Hubo una Pastora Que a Palacio..." is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since María Manuela: "En los Claros Días de la Corte Hubo una Pastora Que a Palacio..." by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With María Manuela: "En los Claros Días de la Corte Hubo una Pastora Que a Palacio..." being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
B'rich Sh'mei | Nissim Saal | D Minor | 2 | 7A | 87 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Le alegria del battallon: Cancion de la gitana | Jose Serrano, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | G Major | 2 | 9B | 124 BPM | ||
La dueña de mis ilusiones | Gente Pescaito, Federico Romero, Jaime Oñate | G Major | 8 | 9B | 130 BPM | ||
Faust: Hoch, Ruhm und Ehre | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 3 | 6B | 117 BPM | ||
Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM | ||
Los Gavilanes: "No hay por que gemir" | Coro Cantores de Madrid, Teresa Berganza | E Major | 2 | 12B | 93 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Fiel Espada Triunfadora | Orquesta Sinfónica Española | B Major | 1 | 1B | 120 BPM |
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