- BPM
- 154
- Key
- F Major
- Camelot
- 7B
The Wooden Prince, Sz. 60 (Final Version): II. The Princess - Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard Information
- Acousticness
- 93%
- Danceability
- 55%
- Energy
- 39%
- Instrumentalness
- 88%
- Liveness
- 5%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 53%
- Popularity
- 0%
- Loudness
- -14.786 dB
Summary
Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard made "The Wooden Prince, Sz. 60 (Final Version): II. The Princess" available on March 29, 2024. With The Wooden Prince, Sz. 60 (Final Version): II. The Princess being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 29 in Bartok: The Wooden Prince (Final Version) by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Wooden Prince, Sz. 60 (Final Version): II. The Princess's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The Wooden Prince, Sz. 60 (Final Version): II. The Princess BPM
The tempo marking of The Wooden Prince, Sz. 60 (Final Version): II. The Princess by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
The Wooden Prince, Sz. 60 (Final Version): II. The Princess Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | |
 | 6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | |
 | Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | |
 | Five pieces for Two Violins and Piano: IV. Waltz- Tempo di Valse. Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | G Minor | 0 | 6A | 140 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | |
 | Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | |
 | Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | |
 | Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | |
 | 6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM |
- ISRC
- GBPCP2300149
- Label
- L-M Records/RCA Records
Section: 0.6740593910217285
End: 0.6774477958679199