- BPM
- 154
- Key
- F Major
- Camelot
- 7B
The Wooden Prince, Sz. 60 (Final Version): II. The Princess - Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard Information
- Acousticness
- 93%
- Danceability
- 55%
- Energy
- 39%
- Instrumentalness
- 88%
- Liveness
- 5%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 53%
- Popularity
- 0%
- Loudness
- -14.786 dB
Summary
Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard made "The Wooden Prince, Sz. 60 (Final Version): II. The Princess" available on March 29, 2024. With The Wooden Prince, Sz. 60 (Final Version): II. The Princess being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 29 in Bartok: The Wooden Prince (Final Version) by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Wooden Prince, Sz. 60 (Final Version): II. The Princess's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The Wooden Prince, Sz. 60 (Final Version): II. The Princess BPM
The tempo marking of The Wooden Prince, Sz. 60 (Final Version): II. The Princess by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
The Wooden Prince, Sz. 60 (Final Version): II. The Princess Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | |
 | Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | |
 | Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | |
 | Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | |
 | 24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | |
 | Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM |
- ISRC
- GBPCP2300149
- Label
- L-M Records/RCA Records
Section: 0.7930746078491211
End: 0.7985150814056396