Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen made "Napoli: Act III: Pas de six: Second Gentleman's solo, Gennaro" available on January 1, 2005. With Napoli: Act III: Pas de six: Second Gentleman's solo, Gennaro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Napoli: Act III: Pas de six: Second Gentleman's solo, Gennaro's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Napoli: Act III: Pas de six: Second Gentleman's solo, Gennaro by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | A♭ Major | 0 | 4B | 83 BPM | ||
Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Sadness Waltz: Vemods vals (La resignation, Sadness Waltz) | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 2 | 12B | 154 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM |
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