Paul Hillier, Andrew Lawrence-King made "Disillusionment" available on 1998. With Disillusionment being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 24 in Bitter Ballads - Ancient and Modern Poetry Sung to Medieval and Traditional Melodies by Paul Hillier, Andrew Lawrence-King. In terms of popularity, Disillusionment is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Disillusionment by Paul Hillier, Andrew Lawrence-King is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Inhale | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | E Minor | 1 | 9A | 75 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Svjatki: V. Spring Is Coming | Galina Grigorjeva, Else Torp, Estonian Philharmonic Chamber Choir, Paul Hillier | G Minor | 0 | 6A | 85 BPM | ||
Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives | F Major | 1 | 7B | 119 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
Stimmung: Stimmung: Model 25 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | D Minor | 0 | 7A | 74 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Hymnus: Ave maris stella | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | D Minor | 3 | 7A | 101 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM |
Section: 0.5540456771850586
End: 0.5597236156463623