6 Variations on "Hélas, j'ai perdu mon amant", K. 360: Var. 5 - Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong Information

Acousticness: 99%
Danceability: 32%
Energy: 8%
Instrumentalness: 20%
Liveness: 14%
Loudness: 60%
Speechiness: 4%
Valence: 48%
Popularity: 18%
Loudness: -23.946 dB

Summary

Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong made "6 Variations on "Hélas, j'ai perdu mon amant", K. 360: Var. 5" available on June 23, 2023. With 6 Variations on "Hélas, j'ai perdu mon amant", K. 360: Var. 5 being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong's "Mozart: Sonatas for Piano & Violin" album is number 41 out of 92. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 6 Variations on "Hélas, j'ai perdu mon amant", K. 360: Var. 5's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

6 Variations on "Hélas, j'ai perdu mon amant", K. 360: Var. 5 BPM

We consider the tempo marking of 6 Variations on "Hélas, j'ai perdu mon amant", K. 360: Var. 5 by Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.

6 Variations on "Hélas, j'ai perdu mon amant", K. 360: Var. 5 Key

The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM
Nocturne No.6 In G Minor, Op.15 No.3	Frédéric Chopin, Maurizio Pollini	D Minor	0	7A	105 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles	Pyotr Ilyich Tchaikovsky, Valentina Lisitsa	F Major	0	7B	100 BPM
Hungarian Dance No. 1 in G Minor, WoO 1	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	G Minor	2	6A	142 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)	Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus	D Major	1	10B	83 BPM
Nocturne No. 2 in C Minor	John Field, Benjamin Frith	C Minor	0	5A	67 BPM
Sonatina No. 1, Op. 67: III. Allegro moderato	Jean Sibelius, Leif Ove Andsnes	F♯ Major	1	2B	94 BPM
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two)	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A♭ Major	1	4B	138 BPM
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei	Robert Schumann, Ivan Moravec	F Major	0	7B	130 BPM

ISRC: DEN962301146
Label: L-M Records/RCA Records

Section: 0.604804277420044

End: 0.6089527606964111