"Perotin: Beata Viscera, Conduit à deux voix" by Pérotin, Ensemble Gilles Binchois was released on June 12, 2006. Since Perotin: Beata Viscera, Conduit à deux voix is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Pérotin et l'école de Notre Dame (1160-1245)". In this album, this song's track order is #4. Perotin: Beata Viscera, Conduit à deux voix is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Perotin: Beata Viscera, Conduit à deux voix by Pérotin, Ensemble Gilles Binchois having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantiones sacrae sex vocum: IV. Qui timet Deum | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | C Major | 2 | 8B | 78 BPM | ||
Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | A Major | 2 | 11B | 86 BPM | ||
Miserere | Gregorio Allegri, Sistine Chapel Choir, Massimo Palombella | G Minor | 0 | 6A | 127 BPM | ||
sopra l'anticho canto de La Spagna | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | D Minor | 1 | 7A | 96 BPM | ||
Atlas - Part 3: Invisible Light: Earth Seen From Above | Meredith Monk, Vocal Ensemble, Wayne Hankin | A♭ Major | 0 | 4B | 126 BPM | ||
Folias (Imperfectas) | Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
One Charming Night (Secrecy) | Henry Purcell, Sjaella | F♯ Minor | 0 | 11A | 85 BPM | ||
Using the Apostate Tyrant as His Tool | Kassia, Kronos Quartet | A Minor | 0 | 8A | 118 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM |
Section: 0.7130506038665771
End: 0.718017578125