Anonymous, Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer made "In dem ungelarten [late 13th Century]" available on July 3, 2012. The duration of In dem ungelarten [late 13th Century] is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. In dem ungelarten [late 13th Century]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Norbert Rodenkirchen's "Hameln Anno 1284: Medieval Flute Music On The Trail Of The Pied Piper" album is number 4 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, In dem ungelarten [late 13th Century]'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of In dem ungelarten [late 13th Century] by Anonymous, Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
Genuit puerpera regem - Antífona y Salmo 99 (Modo II) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Introitus: Ad Te Levavi, Modo VII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | E Major | 1 | 12B | 81 BPM | ||
De ma dame vient | Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | C Major | 2 | 8B | 82 BPM | ||
Abbey Evening Meditation | Michael Keck | E Minor | 2 | 9A | 126 BPM | ||
Troparion for Holy Wednesday | Kassia, Cappella Romana, members, Alexander Lingas | C Major | 1 | 8B | 137 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Kyrie Christe Eleison | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | F Minor | 1 | 4A | 71 BPM | ||
Resonemus hoc natali | Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier | F♯ Minor | 1 | 11A | 187 BPM |
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